Detaily
Formát: 2x CD, Album
Žánr: Klasika
• The sumptuous world of the ‘Intermedi’
• Late sixteenth-century Florence was a theatre: first and foremost a political one, in the eyes of the dynasties that wished to use the arts to display their power. A humanist one too, as is shown by these intermedi (interludes) that sought to achieve the perfect blend between music and poetry, the ideal of a certain Renaissance. Inserted into plays imitating the ancient writers, these entertainments were presented with lavish visual and musical resources. After reaching an initial peak in 1589 with the intermedi composed for Bargagli’s La pellegrina, this tradition was prolonged in the burgeoning genre of opera by such composers as Peri, Caccini (Euridice, 1600) and, very soon, Monteverdi (L’Orfeo) and Gagliano (Dafne).
• Rather than aiming for the impossible ideal of a reconstruction, Raphaël Pichon has devised a sort of imaginary intermedio by selecting the finest gems from this repertory, featuring the figures of Apollo, Orpheus and Eurydice, and above all Cupid: Love, Love, Love!
Účinkují:
Pygmalion
Raphaël Pichon - Conductor
Sophie Junker
Maïlys de Villoutreys
Renato Dolcini
Lucile Richardot
Luciana Mancini
Virgile Ancely
Deborah Cachet
Zachary Wilder
Safir Behloul
Davy Cornillot
Nicolas Brooymans
Renaud Bres
Žánr: Klasika
• The sumptuous world of the ‘Intermedi’
• Late sixteenth-century Florence was a theatre: first and foremost a political one, in the eyes of the dynasties that wished to use the arts to display their power. A humanist one too, as is shown by these intermedi (interludes) that sought to achieve the perfect blend between music and poetry, the ideal of a certain Renaissance. Inserted into plays imitating the ancient writers, these entertainments were presented with lavish visual and musical resources. After reaching an initial peak in 1589 with the intermedi composed for Bargagli’s La pellegrina, this tradition was prolonged in the burgeoning genre of opera by such composers as Peri, Caccini (Euridice, 1600) and, very soon, Monteverdi (L’Orfeo) and Gagliano (Dafne).
• Rather than aiming for the impossible ideal of a reconstruction, Raphaël Pichon has devised a sort of imaginary intermedio by selecting the finest gems from this repertory, featuring the figures of Apollo, Orpheus and Eurydice, and above all Cupid: Love, Love, Love!
Účinkují:
Pygmalion
Raphaël Pichon - Conductor
Sophie Junker
Maïlys de Villoutreys
Renato Dolcini
Lucile Richardot
Luciana Mancini
Virgile Ancely
Deborah Cachet
Zachary Wilder
Safir Behloul
Davy Cornillot
Nicolas Brooymans
Renaud Bres
Další informace
Interpret | Pygmalion, Raphaël Pichon |
---|---|
Titul | Stravaganza d'Amore! |
Nosič | 2CD |
Typ nosiče | CD |
Dostupnost | Není skladem, 14 dnů |
Tracklist | 1. Fantini: All'imperio d'Amore: 1. Toccata "La Renuccini" 1:47 2. Malvezzi: All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" 3:12 3. Caccini, G: All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" 1:07 4. Caccini, G: All'imperio d'Amore: 4. O che felice giorno a voce sola 4:20 5. Caccini, G: All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" 1:00 6. Marenzio: All'imperio d'Amore: 6. La dipartita e amara a 4 2:13 7. Caccini, G: All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo" 0:54 8. Brunelli: All'imperio d'Amore: 8. Non havea Febo ancora a voce sola 1:33 9. Striggio: All'imperio d'Amore: 9. O Giovenil ardire a 10 "I Fabii" 2:16 10. Marenzio: All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" 2:56 11. Malvezzi: La Favolla d'Apollo: 11. Dal vago e bel sereno a 6 "La Pellegrina" 5:18 12. Malvezzi: La Favolla d'Apollo: 12. O qual risplende a 6 "La Pellegrina" 1:36 13. Gagliano: La Favolla d'Apollo: 13. Ohimè che vegg’io a 5 "La Dafne" 1:26 14. Marenzio: La Favolla d'Apollo: 14. Qui di carne si sfama a 12 "La Pellegrina" 2:21 15. Orologio: La Favolla d'Apollo: 15. Apollo affronta il serpente 1:02 16. Gagliano: La Favolla d'Apollo: 16. Poi giacque estinto al fine "La Dafne" 1:09 17. Marenzio: La Favolla d'Apollo: 17. O mille volte a 8 "La Pellegrina" 2:07 18. Gagliano: La Favolla d'Apollo: 18. Piangete, Ninfe "La Dafne" 4:25 19. Malvezzi: La Favolla d'Apollo: 19. Sinfonia a 6 "La Pellegrina" 2:34 20. Gagliano: La Favolla d'Apollo: 20. Un guardo, un guard’appena "La Dafne" 6:23 21. Gagliano: La Favolla d'Apollo: 21. Bella ninfa fuggitiva a 5 "La Dafne" 2:26 22. Allegri, L: Le Lagrime d'Orfeo: 22. Gagliarda a 6 "Primo ballo della Notte d’Amore" 1:16 23. Jacopo Peri Giulio Caccini: Le Lagrime d'Orfeo: 23. Al canto, al ballo a 5 "Euridice" 2:38 24. Peri, J: Le Lagrime d'Orfeo: 24. Lassa, che di spavento "Euridice" 6:22 25. Peri, J: Le Lagrime d'Orfeo: 25. Non piango e non sospiro "Euridice" 1:55 26. Peri, J: Le Lagrime d'Orfeo: 26. Cruda morte. Sospirate aure celesti "Euridice" 4:23 27. Allegri, L: Le Lagrime d'Orfeo: 27. Sinfonia a 6. Spirto del Ciel "Primo ballo della Notte d’Amore" 1:21 28. Caccini, G: Le Lagrime d'Orfeo: 28. Funeste piagge "Euridice" 4:39 29. Marenzio: Le Lagrime d'Orfeo: 29. Udite lagrimosi spirti d’Averno 4:19 30. Caccini, G: Le Lagrime d'Orfeo: 30. Trionfi oggi pietà "Euridice" 4:06 31. Peri, J: Le Lagrime d'Orfeo: 31. Gioite al canto mio "Euridice" 1:21 32. Peri, J: Le Lagrime d'Orfeo: 32. Ma che più ? a 5 "Euridice" 1:13 33. Buonamente: Il Ballo degli reali Amanti: 33. Ballo del Granduca a 7 4:27 34. Malvezzi: Il Ballo degli reali Amanti: 34. Dolcissime sirene a 6 "La Pellegrina" 1:40 35. Malvezzi: Il Ballo degli reali Amanti: 35. A voi reali amanti a 15 "La Pellegrina" 4:04 36. Malvezzi: Il Ballo degli reali Amanti: 36. Coppia gentil a 6 "La Pellegrina" 1:10 37. Cavalieri: Il Ballo degli reali Amanti: 37. O che nuovo miracolo a 5, a 3 "La Pellegrina" 5:27 |
Popis | Formát: 2x CD, Album Žánr: Klasika • The sumptuous world of the ‘Intermedi’ • Late sixteenth-century Florence was a theatre: first and foremost a political one, in the eyes of the dynasties that wished to use the arts to display their power. A humanist one too, as is shown by these intermedi (interludes) that sought to achieve the perfect blend between music and poetry, the ideal of a certain Renaissance. Inserted into plays imitating the ancient writers, these entertainments were presented with lavish visual and musical resources. After reaching an initial peak in 1589 with the intermedi composed for Bargagli’s La pellegrina, this tradition was prolonged in the burgeoning genre of opera by such composers as Peri, Caccini (Euridice, 1600) and, very soon, Monteverdi (L’Orfeo) and Gagliano (Dafne). • Rather than aiming for the impossible ideal of a reconstruction, Raphaël Pichon has devised a sort of imaginary intermedio by selecting the finest gems from this repertory, featuring the figures of Apollo, Orpheus and Eurydice, and above all Cupid: Love, Love, Love! Účinkují: Pygmalion Raphaël Pichon - Conductor Sophie Junker Maïlys de Villoutreys Renato Dolcini Lucile Richardot Luciana Mancini Virgile Ancely Deborah Cachet Zachary Wilder Safir Behloul Davy Cornillot Nicolas Brooymans Renaud Bres |
SKU | HMM932286.87 |
Ean | 3149020940747 |
Rok vydání | 2020 |
Pořadové číslo | 1000168669 |
Sleva | Bez slevy |
Doporučená prodejní cena | 349,00 Kč |
Zařazeno v kategoriích:
Klasika
2020 - 5
Pygmalion, Raphaël Pichon